Carla’s painting of George Gerber (Copy of original)

Being dead didn’t suit George Gerber. And, for George Gerber, being dead didn’t last long.

By all accounts here was a sociable man, a vibrant man, something of a character.

George had moved from New York at some point and wore a Yankee’s hat to prove it. He loved baseball and its traditions. “Now it’s just ‘money ball,’” he complained.

The man lived alone in a balconied condo building within easy distance of the coffee shop. No one recalls any mention of a wife or children.

George had spent his working years at the Internal Revenue Service. We don’t know for a fact, but we should assume IRS agent Gerber was kindly when auditing widows and orphans, and was passably competent at what he did.

George kept up with a stack of newspapers each day (there’s still an honest-to-God newsstand on the corner) and he happened to have the kind of face the Chicago readers of Nelson Algren or Studs Terkel would find comforting.

The portrait that Carla Hayden painted is sizable. She plied acrylic washes until she found the whimsy and panache of the man she enjoyed. When the piece was unveiled George predicted it would end up at the Art Institute.

After George left this earth Brian and John, owners of the Brothers K, afforded the work a position of honor near the double-urn brewing machine where, as you can see, George remains very much alive and with us today.

First-shift baristas report the hint of a frown on that painted face during pre-dawn hours. But it disappears as soon as the Brazilian, Papua New Guinean or Guatemalan coffee is brewed and George breathes in the caffeine he needs to face the day.

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Carla’s painting of George Gerber

The man in the painting was not ‘merely dead’… but as the coroner in The Wizard of Oz once described it, he was ‘really most sincerely dead.’

However being deceased didn’t suit George Gerber. And it didn’t last long.

By all accounts George was a sociable man, a vibrant man, something of a character. He had moved from New York City at some point and wore a Yankee’s hat to prove it. He loved baseball and its traditions. “Now it’s just ‘money ball,’” he complained.

The man who lived alone in a balconied condo building within easy distance of the coffee shop had spent his working years at the Internal Revenue Service. We can assume that Agent Gerber was very good at what he did.

George kept up with the papers each day and happened to have a face the Chicago readers of Nelson Algren or Studs Terkel would find comforting. No one recalls any mention of a wife or children.

The portrait that Carla Hayden painted is sizable. She plied acrylic washes until she found the whimsy and panache of the man she enjoyed. When the piece was unveiled its subject was delighted, predicting that it would end up at the Art Institute.

After George left this earth the owners of the Brothers K, Brian and John Kim, afforded the work a position of honor near the double-urn brewing machine where, as you can see, George remains very much alive.

First-shift baristas report the hint of a frown on that painted face during pre-dawn hours. But it disappears as soon as the Brazilian, Papua New Guinean or Guatemalan coffee is brewed and George breathes in the caffeine he needs to face the day.

Here’s Carla’s artistic statement… Read more…

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Natasha

A quick exchange of pleasantries, then Natasha… gets to work at a table or in the window of our coffee shop, often for hours at a time.

Natasha Naumenko will tell you the drought was intermittent and not severe enough by itself to cause the Soviet Famine.

There was more at play, she will tell you.

It is Natasha’s conviction that the victims were institutionally starved of incentive and initiative as well as food.

She writes, “…I show that in the short run collectivization of agriculture in the Soviet Union contributed to the 1932-1933 famine that killed seven to ten million people.”

The Soviet state owned the fields and the crops. In many ways it owned the peasants who worked them. (Orwell’s “Animal Farm” was inspired by these deprivations.) Read more…

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Chris Green’s Erasure Poem

Construction of American Pipelines
Erasure poem by Chris Green

* * *

The United States, hereby retrofit.
With regard to all iron or steel borders, submit.

* * *

This ‘erasure poem’ is derived from the Presidential Memorandum regarding Construction of the American Pipelines.

It was written by Chris Green, a well-respected poet who frequents our local coffee shop. Poets like Chris are to coffee shops what humus is to homegrown cabbage and tomatoes.

For those who don’t know, that would be most of us, an erasure poem is constructed by snatching key words from a document, arranging them, and erasing the others. The result may intensify the intent of the original, or challenge it.

Read the memorandum here: Read more…

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The Wang Creed

He knew that he and the world he lived in would not long survive.At the height of the Second World War when civil strife was continuing to tear through China, Bogun Wang’s [Wang Bogun] health was failing.

The educator and revolutionary feared for his family.

As the head of a clan whose prominence traced back nine generations, Bogun rewrote the centuries-old Wang family creed to guide his heirs through catastrophic times. My good friend Ed is his son.

Above all else the Wang Creed called for filial piety. Respect for elders and ancestors was the primary virtue stressed by Confucius, the revered philosopher who has shaped Chinese life since 500 BC.

Bogun warned that his society was turning from agriculture to commerce and that education would be the key to stability. He preached that those who inherit wealth cannot afford to be idle. The privileges and resources of the clan were dwindling, they would need to be shared and used wisely.

When the Communists gained power, Bogun’s widow Zhining and her children took asylum in the U.S., leaving Bogun’s world behind.

Ed has not updated the formal code of conduct as his father did.

What he has done, at the urging of his children, is to write a book that recounts his family’s role in revolutionary China. Like Bogun’s efforts, Ed’s book is a personal gift from a father to his family. A show of filial piety in reverse.

‘Patriot and Warriors’* will be archived and crawled far beyond the world of people named Wang — historians are a hungry bunch.

*Patriot and Warriors is now available at Amazon

 

Text Of The Wang Family Creed

When I was a child, my father had taught me that we should unite our family with filial piety and friendship… Read more…

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